The fae are all about liminality and change, an idea reinforced by the next pair of books we’ll be considering in Changeling: the Lost’s first edition run. We begin with Dancers in the Dusk, a hodgepodge of strange mechanics, curious foes, subtle magics, and new allegiances that all hearken back to the notion and feel of twilight. Sometimes this is overt, as with the Dusk Court and their focus on fatalism, and sometimes more abstract, such as when we flip through an astrological schema to talk about the symbolic nature of dreams. It’s a heady mix of things that push the game into several new directions at once, which every good TTRPG book should strive to do. Join us for a spell as we talk about what worked and what didn’t for each of us in this particular attempt…
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Pooka G (any pronoun/they) gets a thrill out of conjugating gloam as a verb and finding new translations; some individuals are just like that.
Amelia Fetch (she/her) wanted to dance in the dusk, but ended up just kicking people in the golden hour and had to leave the establishment.
My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends—
It gives a lovely light!.
—Edna St. Vincent Millay, “First Fig”